Silencing the Past: Power and the Production of History Review

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Silencing the Past: Power and the Production of History ReviewMichel-Rolph Trouillot argues that in the writing of history lots of things get lost and what is lost impacts our view of the past.
The first thing which is lost are some sources. For many of us there simply are no sources kept. For others there may have been historical traces but they have gotten lost or destroyed in time.
The next level of such data is that when data is collected and selected for various archives there is another level of things getting lost, sources, which there and existing, are effectively lost since there were not judged worthy of archiving.
Lastly, the individual historian much choose from the archival material what is important in telling the story of history the author is telling. Again in this process of selection events and parts of history get lost and suppressed.
What emerges as the story of history, what we, the readers and consumers of history come to regard as the REAL past, real history, is filtered in ways that we seldom acknowledge or realize.
Trouillot demonstrates this thesis with examples from Haitian history and chooses the clever divice of San Souci. There were three San Soucis. One was a person and two others were buildings. The first, the person was lost at the source. The second was weeded out in the typical archives. The last, while exciting at some level, is still not within the mainstream of most Haitian history. Trouillot books makes us sit back and realize that we have to realize there is no real HISTORY, but only the story that the sources that have survived and have been selected as important allow us to tell.
A delightful read. For a much more systematic and longer review please e-mail me and I'll send it to you.Silencing the Past: Power and the Production of History Overview

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The African Origin of Civilization: Myth or Reality Review

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The African Origin of Civilization: Myth or Reality ReviewThis book has obviously angered (a few) people, so much so that they have gone above and beyond the call of duty as reviewers to invent several screen names and post their ire-filled opinions over and over. The fact is that this book is well written, well researched, and well referenced. The author does not ignore contrary opinions, but in fact takes great steps to address and dispel seemingly legitimate arguments. As a dedicated historian, and skeptic of nearly all Afro-centric writings, I can honestly say that this book is far more than the sublimated racism some readers would have you believe it to be. Those with a willingness to read the book and do their own un-biased follow-up research will find it well worth the effort.The African Origin of Civilization: Myth or Reality Overview

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Zami: A New Spelling of My Name - A Biomythography (Crossing Press Feminist Series) Review

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Zami: A New Spelling of My Name - A Biomythography (Crossing Press Feminist Series) ReviewIn "Zami: A New Spelling of My Name," poet Audre Lorde has written a text she calls a "biomythography." I think of "biomythography" as a literary form that blends elements of autobiography, the novel, and personal mythology. But however you define the word, "Zami" is a powerful and beautiful text which illuminates the life of an African-American lesbian in the mid-20th century.
"Zami" begins with the young Audre and her parents, a Black immigrant couple who had settled in New York City. Lorde writes in detail of her cultural heritage from the Caribbean island of Grenada. From her childhood in Harlem to her young adulthood, the book is full of fascinating episodes and poetic language. Lorde's description of using her mother's traditional mortar and pestle to grind spices in the Caribbean style is a particular tour-de-force of sensuous language.
Lorde describes the roots of her life as a poet. She also vividly recalls what it was like to be a young Black lesbian in the 1950s. This particular aspect of "Zami" gives the book a special historical value. Lorde's narrative captures many of the cultural and political particulars of that era.
Audre Lorde attained a distinguished literary reputation as both a poet and essayist. But serious readers of Lorde must not miss her extraordinary "biomythography." This is an essential American life story which ranks up there with those of Benjamin Franklin, Harriet Jacobs, Malcolm X, and other important figures. Whether you're interested in the Caribbean-American experience, African-American literature, lesbian studies, or mid-20th century United States history, you will want to explore "Zami."
In this book Audre Lorde writes, "Every woman I have ever loved has left her print upon me." If you read "Zami," Lorde just might leave a lasting print upon you.Zami: A New Spelling of My Name - A Biomythography (Crossing Press Feminist Series) Overview

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White By Definition: Social Classification in Creole Louisiana Review

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White By Definition: Social Classification in Creole Louisiana ReviewThis book really broke down the racial dilemna in Louisiana which probably more than in any other state of the union confronts the race question. Who and what you are seems to pervade this state of mixed- race people. It would seem you have to prove you are white by genealogy, no less. However the statistics were taken from the 1970s and some from early 1980s and the book needs to be update to the present. I would like to know how the Black Creoles, colored Creoles, Creoles of Color, whatever they are called, they see themselves. There is such a range of attitudes among Creoles of Color, it would take up too much space to explain. I want to hear more about the "White Creoles". Are they still around almost twenty years after the research for this book was done. Maybe Ms. Dominguez or someone will update this.White By Definition: Social Classification in Creole Louisiana Overview

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