Showing posts with label black. Show all posts
Showing posts with label black. Show all posts

Racism: A Short History Review

Racism: A Short History
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Racism: A Short History ReviewGeorge Fredrickson is a Stanford history professor who has studied racism (particularly of the white supremacist variety) for many years. In this "Short History," he attempts a synthesis and comparison of much of what he has learned from his own work and that of others. An initial problem in tracing the history of "racism" is in deciding what exactly counts as "racism" -- for example, is the ancient prejudice against foreigners (barbarians) a kind of racism or simply xenophobia or ethnocentrism? Fredrickson excludes ancient examples on the ground that members of disfavored groups could (more or less) overcome these prejudices by adopting (assimilating) the dominant culture. One's status as Other was neither immutable nor (necessarily) heritable. An essential element of racism, in Fredrickson's view, is the belief that certain differences are tied to race, that those differences cannot be overcome by human action, *and* (most critically) that those differences have implications for how society ought to be structured (ranging from informal prejudice and discrimination against the disfavored group through legal segregation to exclusion/extermination).
Definition in hand, Fredrickson provides a fascinating overview of how religious prejudice (against Jews and heathens) gradually transformed (through different paths) into racial prejudice, and how racial prejudice became official policy in the American South of the Jim Crow era, Nazi Germany and apartheid South Africa. (European attitudes toward Native Americans are briefly explored, but then dropped without much development, and the eventual subjugation of Native Americans by the federal government is ignored completely, for reasons which are not apparent to me.) While pointing out significant differences between these three instances of racism, Fredrickson also draws some interesting parallels and contrasts. The role of international events and economic developments in first creating and then destroying these overtly racist regimes is explored in enough detail to make me want to read more.
Fredrickson provides the reader with a lot to think about, including the role of racism today, and whether "biological" racism is now being transformed into a kind of "culturism" that makes certain aspects of culture stand in for race. This is a book of "big thoughts" (as one might expect from a short history), and fulfills an important role in setting out a grand theory that others can respond to. The writing is clear, concise and readily intelligible to non-scholars. Fredrickson does not purport to provide any cures or even suggestions for eliminating current strains of this old disease, but like all good historians he identifies the symptoms and the conditions in which the disease flourishes. Highly recommended.Racism: A Short History Overview

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Zami: A New Spelling of My Name - A Biomythography (Crossing Press Feminist Series) Review

Zami: A New Spelling of My Name - A Biomythography (Crossing Press Feminist Series)
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Zami: A New Spelling of My Name - A Biomythography (Crossing Press Feminist Series) ReviewIn "Zami: A New Spelling of My Name," poet Audre Lorde has written a text she calls a "biomythography." I think of "biomythography" as a literary form that blends elements of autobiography, the novel, and personal mythology. But however you define the word, "Zami" is a powerful and beautiful text which illuminates the life of an African-American lesbian in the mid-20th century.
"Zami" begins with the young Audre and her parents, a Black immigrant couple who had settled in New York City. Lorde writes in detail of her cultural heritage from the Caribbean island of Grenada. From her childhood in Harlem to her young adulthood, the book is full of fascinating episodes and poetic language. Lorde's description of using her mother's traditional mortar and pestle to grind spices in the Caribbean style is a particular tour-de-force of sensuous language.
Lorde describes the roots of her life as a poet. She also vividly recalls what it was like to be a young Black lesbian in the 1950s. This particular aspect of "Zami" gives the book a special historical value. Lorde's narrative captures many of the cultural and political particulars of that era.
Audre Lorde attained a distinguished literary reputation as both a poet and essayist. But serious readers of Lorde must not miss her extraordinary "biomythography." This is an essential American life story which ranks up there with those of Benjamin Franklin, Harriet Jacobs, Malcolm X, and other important figures. Whether you're interested in the Caribbean-American experience, African-American literature, lesbian studies, or mid-20th century United States history, you will want to explore "Zami."
In this book Audre Lorde writes, "Every woman I have ever loved has left her print upon me." If you read "Zami," Lorde just might leave a lasting print upon you.Zami: A New Spelling of My Name - A Biomythography (Crossing Press Feminist Series) Overview

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