Showing posts with label cultural history. Show all posts
Showing posts with label cultural history. Show all posts

Culture and Society 1780-1950 Review

Culture and Society 1780-1950
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Culture and Society 1780-1950 ReviewRaymond Williams discusses how the idea of "culture" and "society" evolved in England when two forces (democracy, industrialism) were undermining traditional notions of both. Williams is a Marxist and it is clear that his analysis of Burke, Coleridge, Mill, Carlyle, Newman, Arnold etc... is directed by Marx's theory of class relationships. The book, therefore, is both an analysis and an argument.
The analysis/argument is that democracy and industrialism broke down old relationships and initiated new ones. While this shift was occuring a new kind of writer was born: the cultural critic. The major theme of this book is the evolution of the word "culture" . Before the period in question (1780-1950) the word "culture" was used to describe art and literature but beginning with Burke and Coleridge the word begins to be used to refer to a "whole way of life". Coleridge makes the key distinction between "civilization" and "culture".Coleridge uses the word "civilization" to describe the "general progress of society" and he uses the word "culture" to express a standard of perfection independent of the progress of society that could be used "not merely to influence society but to judge it." Coleridge envisioned a class of men or "clerisy" whose sole task would be to tend to the cultivation of society. The great fear in the minds of nineteenth-century educated Englishman was that democracy would lead to a dumming down of public life and that what society really needed was some class of educated individuals(Coleridge) or some heroic individual (Carlyle) to insure the continued cultivation of society.
Raymond Williams is writing from a working-class perspective but he is a working-class kid who also happened to attend Cambridge. Writing from this unique perspective allows him to identify with both the great cultural thinkers of the past and with the "masses" that they feared. Coleridge and Carlyle felt that the masses were incapable of governing themselves and contributing to the continued cultivation of society(a notion that continues to inform much of modern conservastism). Williams suggests that it is a mistake to think of men as "masses" and that for society to grow it must remain open, and that society must encourage individual effort from all segments of society while continuing to value and cultivate a collective way of life. Exactly how society is to do this is explained only in vague platitudes.
The best and strongest part of the book is the early portion that examines the definition of "culture" as opposed to "society". The argument gets fuzzy around the time of Matthew Arnold who could not quite decide just what constitutes "culture". In the nineteenth-century "culture" is tied to religious tradition in the minds of Burke, Coleridge, Carlyle and Newman. Beginning with Arnold, however, cultural critics attempt to define "culture" without reference to religion. This proves to be difficult as "culture" describes not only all the best that has been thought but also refers to a body of values that have been passed down and religious institutions are just as powerful, if not moreso, than economic institutions. It is at this point when one begins to question the materialist approach to history.
In his conclusion Williams discusses democracy as if it were the natural substitute for religion or even a new kind of religion. He is not altogether successful and for me the concluding chapters were much less satisfying as cultural history than were the early chapters. This does not take away from the exceptional clarity of those early chapters.
The book is an excellent study of what it means to live in a world in transition and how difficult it is to properly define a "common culture" in a world that regularly undergoes cultural shifts. Society struggles on between two cultural ideologies; between the religious conservatives and the liberal-democrat reformers. In the best portion of Culture and Society Williams describes how J.S. Mill tried to find some way of melding the two ideologies into one.Culture and Society 1780-1950 Overview

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Albion's Seed: Four British Folkways in America (America: a Cultural History) Review

Albion's Seed: Four British Folkways in America (America: a Cultural History)
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Albion's Seed: Four British Folkways in America (America: a Cultural History) ReviewAlbion's Seed by Brandeis University History Professor David Hackett Fischer is the history of the four main regional migrations from Britain to North America in the 17th and 18th centuries. Professor Fischer examines each of these four migrations in great detail, describing the origin, motivations, religion, timing, and numerous cultural attitudes or folkways for dealing with everyday life, including birth, child rearing, marriage, age, death, order, speech, architecture, dress, food, wealth, and time, to cite only a few. He devotes special attention to the different concepts of liberty and freedom held by each of these four British cultural groups.
The first major wave consisted predominantly of the Puritans from East Anglia who settled in New England between 1629 and 1640, the years immediately preceding the English Civil War in which Oliver Cromwell and the Puritan army defeated and beheaded King Charles I.
The second wave consisted of defeated (or soon to be defeated) supporters of the king and the Established (Anglican) Church of England, primarily from the south and west of England, who settled in the Chesapeake Bay regions of Virginia and Maryland between 1642 and 1675.
The third wave was the migration of Quakers from the English midlands (and their religious kin from various German sects) who settled in the Delaware Valley (southeast Pennsylvania, west New Jersey, north Delaware) between 1675 and 1615.
Finally, the "Scotch-Irish", referring collectively to immigrants from the north of England, lowland Scotland, and Ulster, settled the Appalachian backcountry from Pennsylvania southwest through Virginia, the Carolinas, and into Tennessee and Kentucky from 1717 to 1775. Less homogenous in religion than the prior waves, the Scotch-Irish were a mixture of Presbyterians, the dominant group, and Anglicans, a significant minority.
Each of these four folk established an amazingly enduring culture in their region, a culture that successfully incorporated later immigrants from other origins who shared little or none of the dominant folkway that had become established in their new home. Their contrasting concepts of liberty are among the most visible today. The Puritan concept of liberty, "ordered liberty" in Fischer's terminology, focused on the "freedom" to conform to the policies of the Puritan Church and local government. The Virginia concept of liberty, "hegemonic liberty", was hierarchical in nature, ranging from the great freedom of those in positions of power and wealth down to the total lack of freedom accorded to slaves. The Quaker concept of liberty, "reciprocal liberty", focused on the aspects of freedom that were held equally by all people as opposed to the unequal and asymmetric freedoms of the Puritans and Virginians. Finally, the Scotch-Irish concept of liberty, "natural liberty", focused on the natural rights of the individual and his freedom from government coercion.
Albion's Seed was a delight to read, filled with quaint, instructive, and amusing anecdotes that reflect folkways that endure today. It should be equally appealing to those interested in defining and contrasting the cultural histories of different groups, the process and cultural impact of human migrations, the foundations of the Anglo-American world, and the different roots of the concept of liberty.
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