Unclaimed Experience: Trauma, Narrative and History Review

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Unclaimed Experience: Trauma, Narrative and History ReviewIf you want to understand the state of trauma studies in their relation to the humanities, you absolutely must be familiar with Caruth's work. This book and her collection of edited essays were in large part responsible for the work on trauma within literature, film, and cultural studies since 1990.
It is important to recognize that Caruth is neither a clinician nor a psychiatrist. She is working on analyzing written and filmed texts ranging from Freud's theories in "The Interpretation of Dreams," "Beyond the Pleasure Principle" and "Moses and Monotheism" to Paul de Man's post-structuralist literary theory to Alain Resnais's film "Hiroshima Mon Amour" to understand how these texts theorize trauma. She is interested in the discourse that has developed around trauma, the written record that affects how we--as literary scholars AND as psychologists, psychiatrists, and physicians--currently conceive of trauma.Unclaimed Experience: Trauma, Narrative and History Overview

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The Archaeology of Knowledge & The Discourse on Language Review

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The Archaeology of Knowledge & The Discourse on Language Review"Archaeology Of Knowledge" finds Foucault at his barest, trying to build up his own theory. Like others have said, it is fascinating to see how much he tries to encompass and how extremely difficult his own enterprise is. Foucault spends many pages trying to explain to us what he means by "discoursive formation", "object formation", "formation of concepts", etc., and the place where his own theory stands vis-à-vis a so-called "history of ideas". You can learn lots from this book, because, like myself, sometimes you get lost in Foucault's magistral writing, his fabulous way of weaving history and thus cannot clearly follow his own particular method of research. If you want to see some of his (earlier, almost stricly discourse-oriented) key concepts clarified, reading this book will prove very fruitful. As always, you're left with a lot of questions and with a distinctive feeling of "now what?". But then again, that's what's so utterly beautiful and engaging about Foucault... he forces you to think for yourself and provides you of the right tools to do it.
I read the spanish translation of this book so I can't comment on the english one, but the contents of this book are priceless.The Archaeology of Knowledge & The Discourse on Language Overview

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The Penguin Dictionary of Literary Terms and Literary Theory (Penguin Dictionary) Review

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The Penguin Dictionary of Literary Terms and Literary Theory (Penguin Dictionary) ReviewYou get a lot of value for the money with this one. For a reasonable price you get almost 1000 pages of literary information. Every obscure literary term imaginable is here, but that's not why I am taking the time to praise this handy little volume. It's a browsers dream.
What I found most interesting were the lengthy sections on genres. There are pages devoted to specific types of novels, dramas, and poems. There are luxuriously long sections on science fiction novels, crime fiction, pastoral writings, short stories, gothic fiction, comic drama, and a host of other such topics. When you go to the short story section, for instance, you will find 12 pages dedicated to coverage of authors and their works dating from biblical times to the present (1998). I quickly found recommended writers that I hadn't known along with those I was well acquainted with. Although this book was inexpensive, I have spent many times its purchase price buying new books that I found referenced in this Dictionary. There are no individual entries for authors or their works in this book. For that you need to go to books like the Oxford, Cambridge, New York Public Library or Benet's literature reference works.
In poetry sections you will find examples of the type of verse being discussed. You will be amused at some of the entries provided under "light verse" and "limericks". There is even a heading for "shaggy dog story".
Any weaknesses to the book? Well there are a few. This book has a single author, unlike many reference works that have a group of contributors. This can lead to weak sections that are outside the solo author's expertise. Every reader will find a favorite author or two missing from the genre sections. I was appalled, for instance, to find no mention of Flannery O'Connor in the section on American short story authors. As the author is English, there may also be a slight bias toward English writers. I was also somewhat annoyed that Mr. Cuddon often -but not always- didn't take the time to give a foreign title its English translation. Would it have hurt him to list the Victor Hugo novel as "Toilers of the Sea" instead of "Les Travailleurs de le Mer"?
I am a hopeless book addict, and this little reference work really made my day(s).The Penguin Dictionary of Literary Terms and Literary Theory (Penguin Dictionary) Overview

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