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DSLR Cinema: Crafting the Film Look with Video ReviewThe book seems ambitious in its scope -- HDSLR gear, camera techniques, sound, lighting, editing, software, etc. -- however the knowledgeable author, Kurt Lancaster, succeeds in providing a well-developed conceptual framework AND pragmatic specifics to help his readers to understand and achieve success with the complexities of HDSLR filmmaking.Lancaster offers VERY specific advice about essential gear for a range of budgets. He dissects techniques used in specific examples, citing HDSLR videos for readers to watch at Vimeo and other sites.
I drank the KoolAid some time ago and do share the author's delight at how enjoyable it is to watch well-produced DLSR footage. Although I recall feeling impressed by Vicent Laforet's very clean, professional "Reverie" about two years ago:
vimeo (dot) com / 7151244
But it was the intensity and immediacy of one short piece about the 2010 Nashville flood, shot by Michael Deppisch using a handheld Canon 5D Mark II that really made a deep impression and triggered my deeper interest in learning HDSLR filmmaking:
youtube (dot) com / watch?v=vwCGz1vSh_M
To distinguish the image texture of "conventional/normal video" from "digital film", Lancaster explains in his introduction that the "film look" is a result of the overall image quality and "cinematic approach", not a particular technical spec on the camera or sensor. He also further distinguishes the look of cinema film from the "HDSLR cinema aesthetic".
I'm very new to digital filmmaking (fiction or documentary), but have worked with video for art and for marketing for over 20 years. Over the past four months, I've invested a good deal of time researching everything I could find online about shooting DSLR HD video from:
cinema5d (dot) com
vimeo (dot) com
cheesycam (dot) com
nextwavedv (dot) com
philipbloom (dot) net
blog (dot) vincentlaforet (dot) com / mygear
Lancaster links to some of those same sites from his blog at
kurtlancaster (dot) com / dslr-cinema
Lancaster continues to regularly add blog posts, which I've found helpful as I learn how to get professional sound and video from a Canon 60D.
"DSLR Cinema" covers most of the practical advice I was able to find in those several months of research, and he adds a great deal more applied knowledge which I doubt I could have ever found online, even after many more months of effort. The author seems to genuinely desire that his readers would be successful with these tools and it seems important to him to share both his delight and the wisdom gathered from his and others' experiences.
Because DSLR represents a convergence of video, film and photographic techniques, this book may not be helpful to every type of HDSLR video filmmaker (beginner to pro), but it does exactly meet my needs as I develop a list of gear to pack for my own journey into this exciting, new territory of DLSR film making.
Of course, pro DSLR photographers (like Laforet) are NOT the first to discover the landscape of cinema, much of which was settled long ago by highly-experienced filmmakers, directors, and cinematographers -- it has been over a hundred years since the Lumière brothers began to explore the realm of moving images:
youtube (dot) com / watch?v=4nj0vEO4Q6s
Lancaster works hard at being a native guide in this land and I'm grateful for his experience as I begin to learn how to shoot efficiently and effectively with these new tools.
[My apologies for the spelled out URLs. Amazon strips any URLs from the review, but oddly not from the Comments. I've added the complete review again as a Comment, below. Thanks to Pablo for the suggestion! - Jonathan]
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