The Rebel: An Essay on Man in Revolt Review

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The Rebel: An Essay on Man in Revolt ReviewI wrote my college entrance essay on this book (Let's not say how long ago, but I was accepted.) and just recently went back to reread it and compare my impressions now to my impressions then, when it was one of my favorite books. I found it still holds up as a fine piece of literature as well as an inspiring example of personal courage. As another reader has pointed out, Camus was ostracized, more or less, by the French literary establishment after the book's publication. I still find the chapter on metaphysical rebellion the best. Camus has a fine understanding of the English Romantic poets and what, for many, their rebellion consisted of: "The Byronic hero, incapable of love, or capable only of an impossible love, suffers endlessly. He is solitary, languid, his condition exhausts him. If he wants to feel alive, it must be in the terrible exaltation of a brief and destructive action. To love someone whom one will never see again is to give a cry of exultation as one perishes in the flames of passion. One lives only in and for the moment, in order to achieve 'the brief and vivid union of a tempestuous heart united to the tempest'(Lermentov)" This is as an acute a dissection of the raison d'etre of the "Byronic hero" as I've read in any English criticism (and believe me, I've read a lot!). The passages on Nietzsche are also exquisite. He gets to the root of many of the great thinker's ideas by quoting the lines that come from the heart: "the most painful, the most heartbreaking question, that of the heart that asks itself: where can I feel at home?"-The passages on Milton are exquisite as well.-The whole book is a well-rounded philosophical enterprise that touches both the heart and the mind. This is not sentimentality, as one reviewer contends (such criticisms usually come from those jaded souls who have had their hearts burnt out in grad school). It is decency...unshakable decency, according to the review by the Atlantic on the back cover of my edition. I recommend this book to anyone interested in the wherefores behind man's many different states of rebellion. It is the best and most readable I know of.The Rebel: An Essay on Man in Revolt Overview

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Irrational Man: A Study in Existential Philosophy Review

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Irrational Man: A Study in Existential Philosophy ReviewIRRATIONAL MAN is a great read for anyone interested in existentialism. William Barrett does not bore, and he covers existentialism from its roots in Hebraism and Hellenism to its development by its most famous spokesman, Jean-Paul Sartre. For Barrett, existentialism is a personal and relevant matter, and he passionately reminds the reader that it is a philosophy for the modern age, an age of atomic weaponry. Though he has only four chapters on particular existentialists (Kierkegaard, Nietzsche, Heidegger, Sartre), he also addresses various other figures such as St. Augustine, Descartes, Dostoevsky, and Tolstoy. The scope of this work is vast.
The aforementioned "existentialists" have disparate views, but all share the understanding that reason has its limits, that man is alone in the world, and that to live, one must face one's own finitude. Each thinker comes to their ideas from a unique point of view and Barrett connects their ideas with their personal historical context. What we have is a study that is coherent and enlightening, passionate and somehow urgent.
But perhaps it is a little too passionate, too grandiose. He has romantic notions of greatness, in art and in thought. Sometimes he seems too sure of his interpretations as well, but it is up to me to go to the original sources he writes about and try his findings against mine.
In the end, the very fact that I desire to read directly the works of the four existentialists he writes about shows to me that Barrett has done a fine job, and he has simultaneously clarified and deepened my understanding of existentialism beyond the famous line "existence precedes essence." As an introduction or a supplement, IRRATIONAL MAN is an essential, and entertaining, work.Irrational Man: A Study in Existential Philosophy Overview

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The Birth and Death of Meaning: An Interdisciplinary Perspective on the Problem of Man Review

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The Birth and Death of Meaning: An Interdisciplinary Perspective on the Problem of Man ReviewAfter reading "The Birth and Death of Meaning" along with "The Denial of Death", Ernest Becker quickly became one of my personal heroes. Who else would have had the guts to write something so penetrating, so frightening, so threatening to the mechanisms we use every day to cope with life? Becker makes shockingly clear the fictitious nature of human meaning and the contrived nature of social game: if you've ever wondered why the mentally ill are so neglected as a minority and generally spurned even by so called "activists" for racial acceptance, etc, you won't wonder after reading this book. For all that Becker is gentle, not some arrogant nihilistic jerk. There is no typical existentialist self pity here, no "nausea", simply a tough recognition of the way things actually are and a few relative ideas as to how we should deal with them. This is what differentiates Becker from the postmodernists and others who delight in impotence: he is open to solution, to creative play and even religious answers (of an unconventional kind, of course.) His insight and intellect are so powerful as to be scary, and one wonders how such a man dealt with the trivialities of everyday life knowing that they are part of a gigantic charade of illusory meaning. He makes it clear that man is a social animal, and that we are built from the outside in rather than the other way around. His theory of the "urge toward cosmic heroism" fits perfectly into actual concrete everyday life, where anyone and everyone is eager to stand out in some way as cultural heroes. Like Nietzsche, perhaps even better, Becker illustrates the way in which we deceive ourselves and deliberately confuse the cultural game with underlying material reality. He offers four levels of possible solution, the first of which he warns can lead to narcissism and mandess, the second and third being religious in an abstract and metaphysical way. Becker is not, like so many sociologists, drunk on his own lucidity or on a power trip: he is telling us to relax, because the question of relevance is very much up in the air. Authenticity is his message. I would recommend this book as it is easily one of the most important philosophical awakenings that are on the bookshelf, but I would qualify that statement by also recommending it be taken in small doses.The Birth and Death of Meaning: An Interdisciplinary Perspective on the Problem of Man Overview

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The Courage to Create Review

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The Courage to Create ReviewRollo May was personally very familiar with the creative process: he was not only a pioneering psychotherapist, philosopher, prolific and poetic author, and sought after teacher and lecturer, but also a gifted watercolorist with great appreciation for art and music. So, in these hundred-or-so pithy and entertaining pages, he shares with readers some core truths about creativity and its psychology. Courage, as the book's apt title implies, is at the very heart of creativity, since to be creative requires us to risk seeing reality anew, and to try (typically not wholly successfully) to express our experiences in creative work, despite the anxiety such soul-searching and self-revealing endeavors inevitably engender. Creativity always requires taking a chance on one's self-- meeting one's unconscious, or shadow, or what May called the daimonic--and moving ahead despite self-doubts, discouragement and anxiety. Courage, as May makes clear, is not the absence of insecurity, fear, anxiety or despair, but resides in the decision to move through these feelings as constructively or creatively as possible. For anyone struggling with the creative process, this classic meditation on creativity can provide welcome encouragement.The Courage to Create Overview

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